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Score: 8.69/10

Ookami Kodomo no Ame to Yuki

Eng Title : Wolf Children

Alt Title : The Wolf Children Ame and Yuki

JP Title : おおかみこどもの雨と雪

Year : 2012

Genre : Fantasy, Slice of Life

Season :

Status : Complete

Rating : PG – Children

Episodes : 1/1

Duration : 1 hr. 57 min.

Studios : Studio Chizu

Synopsis

Hana, a hard-working college student, falls in love with a mysterious man who attends one of her classes though he is not an actual student. As it turns out, he is not truly human either. On a full moon night, he transforms, revealing that he is the last werewolf alive. Despite this, Hana's love remains strong, and the two ultimately decide to start a family. Hana gives birth to two healthy children—Ame, born during rainfall, and Yuki, born during snowfall—both possessing the ability to turn into wolves, a trait inherited from their father. All too soon, however, the sudden death of her lover devastates Hana's life, leaving her to raise a peculiar family completely on her own. The stress of raising her wild-natured children in a densely populated city, all while keeping their identity a secret, culminates in a decision to move to the countryside, where she hopes Ame and Yuki can live a life free from the judgments of society. Wolf Children is the heartwarming story about the challenges of being a single mother in an unforgiving modern world. [Written by MAL Rewrite]

Ookami Kodomo no Ame to Yuki translates to “Wolf Children Ame and Yuki”. What the film’s title promises is accurate, but this is secondary to what the film is actually about. This is a movie entirely about the enduring and triumphant nature of maternal love.

Teenage Hana is a hardworking girl putting herself through college. During a class, her eyes fall on a man who enthusiastically and diligently takes notes, but he has no textbooks and he disappears before roll is taken. Intrigued, she searches him out and learns that he sits through classes but doesn’t attend the school. From what we see, he works with a moving company, delivering goods to houses. He comes to university and bums through classes to learn. Hana works at a laundromat to make ends meet, and meets him when her day is over. We never learn of this man’s name, but he becomes Hana’s world, and she, his. Then their worlds are joined then broadened with the births of their children.

To call this film a movie about “werewolves” is doing it a mighty injustice. To call it a spirited, charming and heart-rending look about family is more accurate. And while it is always about the “ookami no kodomo”, it is carried by Hana’s life. Hana does what she can to keep her children safe and alive. She removes them from the urbanised world and carries them deep into a rural village where they are free to develop and understand the other half of them.

The film can be divided into three clear arcs. The first finds Hana in love, developing a relationship. The second follows Hana’s struggles to raise her young children who have special needs. The final one sees her settled while her children attempt to find their own places in the world. A recurring theme throughout each arc is that there is a reason to always keep smiling.

Ookami Kodomo is a film of change and self-discovery. Yuki begins the film feral and wild, easily embracing her lupine half while Ame, tearful and timid, is afraid of what it means to be part-wolf. As the years pass, Hana’s resolve remains unwavering, but her children grow apart from her as children naturally do. With this growth, they also change. The film changes focus from Hana as the children grow older, giving us their insight and feelings about who they are. Yuki’s desire to belong allows her to channel charisma into socialising with peers. Ame’s introversion makes him steely and independent. Yuki wants to embrace her humanity while Ame wants to explore the animal. Ame and Yuki yearn for something more, just as their mother knows they would but is afraid to acknowledge.

The story carefully and gently handles the fantasy so that it never overwhelms the film. There are no transformation hijinks or forced comedy or drama. The film treats the wolf children naturally. They seamlessly transform into their wolf-forms and out again. Some of the greatest scenes animated in the movie are these transformations as they move in and out of their dual identities.

The animation for the most part is fluid, with beautiful art painting a lovely countryside and the wilderness. Sometimes the film suffers from poorly chosen CGI effects, repeated animation and disproportionate character models, but this does not take away from the movie’s overall beauty. Hana and the children’s country home is clearly inspired by the 1988 classic My Neighbour Totoro, even down to Yuki’s exuberant exploration of the broken down shed and the wild grass growing everywhere. Adding to the atmosphere of the film is a well-thought out score which knows precisely what type of music fits a mood. Sometimes, especially in the beginning and ending of the film, it can be a little heavy-handed with its emotional outbursts, but largely, it works and it makes itself invaluable to the film’s impact. The voice-acting for the movie is one of its strongest aspects. Having child actors to play Yuki and Ame’s characters in their toddler stages was a wise choice, as their earnest delivery of their lines makes the characters more genuine and loveable.

Ookami Kodomo’s characters are the major reason that any viewer will become easily involved. Hana is one of the most inspirational characters ever to be given life through animation. Her love for her family is apparent. If anything, I’m pretty sure some of this film’s audience is going to feel a pang of affection for their own mothers. She dutifully cares for them in ways that are admirable and it is her unbreakable spirit and positive disposition that makes her noteworthy. She is a strong woman and an even stronger mother. The mysterious man who she loves doesn’t have the chance to be developed but it is this shroud around him that works to his character’s benefit. We care for him through Hana’s affections; in one particularly jarring scene, we understand what he means to her and this breaks our heart more than he himself ever would.

Yuki and Ame carry the film in places their mother cannot. While her hopes and fears for them are palpable, it is their experience of hope and of fear that makes these feelings more acute. Yuki’s voice takes us through the entire film with its steady narration, and her character grows from precocious and brave child to a young girl who unfortunately knows what it means to be afraid. Ame’s behaviour becomes a bit frustrating in the end of the film, but to understand him in the context of an animal, it makes perfect sense. He is a wolf.

The rest of the cast is made up of extremely likeable characters, including the old man who looks after Hana when she moves to the village and Souhei, a boy who crosses paths with Yuki. Even non-speaking, non-human characters like the caged wolf whose pain Ame senses and the wild fox whose freedom Ame respects are indispensable.

While the film’s imperfections are honestly very few, they add up enough to have it stop just short of being a masterpiece. With some tighter editing of the story, cleaner and consistent art and animation, more precise handling of the characters, and a more memorable soundtrack, it easily would have been a masterwork of anime. As it is, it is still essential viewing for anyone interested in a movie that looks at growing up and raising a family. It is a mature, insightful and often painful reflection of how deeply we feel about those we love and inevitably have to let go of.

OK so bear in mind that this will be a very subjective review. I watched Wolf Children because I really liked Summer Wars and The Girl Who Leapt Through Time, and because everyone said it was amazing and a tear-jerker. However by the time I finished watching it, I was just angry at it. Here's why: This movie certainly ranks 10/10 for most frustrating movie I've ever watched. Not even ridiculously beautiful backgrounds and high quality art direction can save a film with slow, barely-there plot and irritating characters. I couldn't empathise with any of them because they consistently made dumb decisions for no reason (especially the mother) making me yell at the screen "why would you even do that?" which is what you really *don't* want your audience experience to be. Let me list every significant moment that made me want to pull my hair out: 1) woman in college gets pregnant after literally having sex with a wolf (calling him a wolf because he didn't even have the decency to change into a human for at least the duration of the act - call me a prude but I find bestiality really off-putting in a movie that is supposed to be about a cute family going about their lives), 2) woman casually accepts throwing away her entire life to raise a kid with her werewolf boyfriend (about whom we get the absolute minimum amount of backstory or any kind of characterisation beyond "he looks cool" and "he's a werewolf with a difficult childhood"), 3) woman gives birth at home without a midwife or anybody to help in case something goes wrong, 4) woman gets pregnant YET AGAIN, 5) gives birth at home AGAIN, 6) werewolf dad leaves the house and inexplicably dies, 7) mother takes her unvaccinated children and moves to the middle of nowhere. Pause. I understand that I pretty much just summarised the first quarter of the movie, but this is exactly why I found Wolf Children to be so exhausting. And yes, a lot of these criticisms are because of my personal beliefs, but hey I never said this review was going to be objective. Before I continue let me mention the only character I liked in this movie; old man Nirasaki, the family's cranky neighbour that teaches the mother the basics of farming, because he sees how irritatingly useless she is. Over 10 minutes of this film are used to show us how hard-working she is. In general, Wolf Children manages to stretch a plot that could have been shown in 30 minutes into 2 hours by filling it with repetitive, redundant scenes that do not advance the plot. The only time this isn't done is in the quite brilliant lateral shot that shows the children growing up (shortening 4 years into a few seconds without using any cuts or dialogue). And this is one of the most frustrating things about this movie: it's beautiful. Artfully crafted, brilliantly animated. Which is the reason why I think so many people were fooled by it. Sure it has its nice moments, but their effect is diluted by the blandness of the rest of the film. Don't get me wrong, I can appreciate slow paced, slice-of-life films, but Wolf Children's pacing was all wrong. It started with an interesting premise and then did nothing with it. But let me come back to the frustrating moments near the end of the movie (because I honestly can't remember much that happened during the middle of the film - it was so nothingy): During a storm, the mother chases after her werewolf son who goes into the forest (which he has been doing regularly, for months) instead of picking up her daughter who is stranded at school. She calls after him over and over again, almost gets attacked by a bear, falls down a cliff, and just when you think that something significant will actually happen in this movie, it turns out she's just fine after her son picks her up and just dumps her outside the forest. Her psychopath of a son is 10 at that point. And I am 110, having aged prematurely waiting for this damn movie to end.

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