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Suzumiya Haruhi no Shoushitsu Anime Cover

Score: 8.69/10

Suzumiya Haruhi no Shoushitsu [DUB]

Eng Title : The Disappearance of Haruhi Suzumiya

Alt Title : The Vanishment of Haruhi Suzumiya, Suzumiya Haruhi no Syoshitsu, Haruhi Movie

JP Title : 涼宮ハルヒの消失

Year : 2010

Genre : Comedy, Mystery, Romance, School, Sci-Fi, Supernatural

Season :

Status : Complete

Rating : PG-13 - Teens 13 or older

Episodes : 1/1

Duration : 2 hr. 42 min.

Studios : Kyoto Animation


One cold Christmas day, Kyon heads over to school and the SOS Brigade's holiday celebration, only to realize that Haruhi Suzumiya seems to have disappeared. Moreover, no one even remembers her or the SOS Brigade; Mikuru Asahina knows nothing and is now afraid of him, and Itsuki Koizumi has also gone missing. The Literature Club, formed only by an uncharacteristically shy Yuki Nagato, now occupies the old SOS club room. Suzumiya Haruhi no Shoushitsu is based on the fourth light novel of the acclaimed Haruhi series and is set after the events of the anime series. Not uncultured in the supernatural, Kyon will have to deal with his whole life turned upside down like a bad joke, and maybe it's better that way. [Written by MAL Rewrite]

I’ve always had mixed feelings about the show where the esper, the alien, the time traveler, and the normal highschool student all gathered together to entertain that certain ecstatic girl. However, as time passed by, it ended up being one of my favourite guilty pleasures. How could I forget the super fun misadventures of the SOS Brigade? Kyon’s snarky attitude? Haruhi’s one of a kind personality? And, most of all, Mikuru’s tea?

The series, though arguably mediocre, had some very fun moments. So where does this movie, The Disappearance of Haruhi Suzumiya, stand?

Story/Presentation: I’m going to skip over the synopsis, since you can already read one with a button away. Due to the hype behind this film, it’s practically common knowledge that this movie has a complete different tone compared to the hyperactive series. It starts off like any other episode from the show, and then slowly transitions into a more solemn tone. Sure, it isn’t dark as something Gen Urobuchi would write, but in contrast to the series, it’s quite the difference. The use of tone is used well, and it helps make the movie feel a lot more believable than the show (assuming you have a suspension of disbelief).

Though the tone was one of the film’s highpoints, I can’t help but feel that it makes it a tad, just a tad, disjointed from the series. People expecting more misadventures from the original show will be sorely disappointed in this movie’s change for a serious plot.

The pacing also deserves mention. The beginning of the film is very slow and deliberate, and though many people may criticize it for being boring, I found it to be good writing. Sure, it may seem a bit dragging at times, and it really doesn’t pick up until a big plot twist ¼ of the movie in, but that’s the writer’s intention. It’s supposed to give the viewer the sense of the dull normal world Kyon’s facing after Haruhi’s disappearance, this being reality.

In terms of the story itself, it turns out to be quite the intricate tale, at least compared to the series. Many plot twists come along the way, and for the most part, the film remains unpredictable. Time travel also has a big role, and it really made me think, which is something I can’t say for the show.

However, my favourite part about the story is how it uses past events from the series, as many subplots and character motivations come back and play their role here. When it comes down to it, the writing here has moments of absolute brilliance.

Its connection to the series can be, to some, a downfall, as this isn’t a standalone. To watch this, the viewer must have knowledge of the first two seasons. Another flaw of this film is its association to the source material. It leaves a few plot threads dangling and a few unanswered questions by the ending (I will refrain from spoilers), and until we get more of the series animated, these plot threads will remain unanswered (unless you consult said source material).

Characters: I loved the eccentric cast from the series. Sure, they mostly followed typical stereotypes, but they did so in a refreshing matter that made them memorable. If there’s one thing that bugged me about the series, it is the lack of characterization. Though one shouldn’t expect much of such from a slice of life show, it was shame that most of the characters weren’t given much depth on their own and in their relationships. In addition, they never really felt like real people.

This is yet another highlight of the movie. Kyon is our point of view in this movie, and after Haruhi disappears, all his motivations and interactions with other characters are completely believable. The best part of his characterization comes to play when he starts to question whether he prefers the supernatural world he always complained about or the normal life he wanted from the beginning. His decision regarding that aspect says a lot about his character.

Another character I’d like to mention is Yuki Nagato. We’ve all known her as the monotone emotionless alien/robot, and now we see her as a quite shy bookworm. How she got that way comes from her motivations from the previous season, and her actions in this movie really strengthens our view of her as a character. Did she really feel nothing throughout all the events of the original show? Is she really the emotionless drone we all thought she was?

Surprisingly, Haruhi herself, despite being part of the driving force, doesn’t get as much screen time as one might expect. That’s not to say she was used poorly, and on that note, all the side characters were used well and they each held their respective purpose in the movie strongly.

Art/Animation: Ah, Kyoto Animation. Feast your eyes, ladies and gentlemen, for this movie is a visual ecstasy when it comes to Japanese animation. The visual quality for the original series was already top notch, so just imagine Kyoto Ani squishing that entire budget on a 2 hour and 40 minute movie. I don’t think I need to say much more than that this film, from a visual standpoint, is absolutely stunning. The colours are vibrant and the animation is smooth.

Speaking of the colours, they compliment the movie very well. In the beginning, the colours are bright to show the spunky life of the SOS Brigade, and when the movie transitions in tone, the colours become subtly darker to really drive home the dullness of an ordinary life. This is just a subtle but noticeable change, and that’s what I love about it.

Music/Voice Acting: This has got to be one of my favourite soundtracks in anime of all time. Each track compliments the movie extremely well and every single one of them is fantastically orchestrated. There is a lot of range in atmosphere in the soundtrack, from upbeat to suspenseful to solemn. It goes without saying the soundtrack is excellent and is used masterfully well.

As far as the English Dub goes, I really have no complaints. It is the same cast as the original series, and so if you had no issues there, then you shouldn’t have any here. Each actor continues to compliment his or her respective role well. As far as standouts go, they would have to be Crispin Freeman as Kyon and Michelle Ruff as Yuki Nagato.

Crispin brings something new to the table as Kyon, going beyond the usual snarky attitude he usually has. Michelle Ruff wasn’t necessarily impressive in the original series (though in her defense, her character didn’t really call for anything special), and when it came to portraying the new side of Yuki Nagoto, she really delivers. She doesn’t go crazy and change her voice drastically. Instead, she subtly adds an indescribable… meekness to her performance.

So yeah. The music and the dub are both fantastic.

Final comments: This movie will give fans of the original series the fangasm they were wishing for, and even those who didn’t like the series might find something to enjoy here. Does this make the original series worth watching? In many ways, yes, it does. It’s a well-written movie with a great use of tone, amazing presentation, and masterful production values. It goes without saying that The Disappearance of Haruhi Suzumiya gets a high recommendation from me.

That’s all for my review, folks! Feedback would be greatly appreciated, whether it be praise or criticism.

To say that the Suzumiya Haruhi franchise has been a bit of an emotional rollercoaster for fans of the show would be an understatement. The first season hit the anime world like a storm, and huge numbers of people immediately swore their devotion to Haruhi and the SOS Brigade. The second season though, sorely tested the patience of many fans with the lesson in tedium known as "Endless Eight", and many were left wondering where it all went wrong. The ups and downs of the franchise are well documented and commented upon, and while Suzumiya Haruhi no Yuutsu (2009) had some great moments, the lacklustre storyline left many diehard fans dejected and despairing that the promise of the first series had seemingly fizzled out. Well, it seems someone was listening. Suzumiya Haruhi no Shoushitsu begins on 16th December, a month after the cultural festival in the first series, and all is seemingly peaceful. It's not long though, before reality gets put through the wringer, and it's up to Kyon to fix everything. The thing that most surprised me about this movie is how closely it tries to follow the light novel of the same name. Granted there are a few liberties here and there, but nothing near the number used in both TV series. The benefit of this is that the story has a solid base to begin with, especially as the plot is mainly based around Kyon's thoughts and actions. The movie begins at a farily placid pace with nothing untoward or suspicious occuring, but one of the problems with the story is that it never really shakes off the languidity of the first 20 or so minutes. While the story itself is actually very good, there are occasions where there is a marked lack of urgency about the plot, and it's these occurences that upset the flow of the movie. There are some plusses though. The fact that much of the movie is based around Kyon's motivations makes it a more interesting piece than the majority of TV episodes, as he is now the engine by which drives the plot rather than a reactionary element. Another big plus are Kyon's numerous monolgoues which reinforce the direction of the story, but also offer some insight into his character, especially towards the end of the movie. The design is exactly what one would expect from the Suzumiya Haruhi franchise and follows that of both TV series, but it's when things go to hell that KyoAni really begin to flex some of their creative muscles. The alterations in the character's appearances and actions are extremely well managed, and the characters are generally more expressive here than they are in either series. The animation is crisp and smooth for the majority of the movie, however there are the oddfew blips here and there with character actions (nothing that's really worth worrying about though). The music used throughout the movie is actually very good, even though the majority of Suzumiya Haruhi no Shoushitsu lacks any thematic pieces. The main theme, "Yasashi Boukyaku", is sung by Chihara Minori, and while the song has echoes of regret and oppurtunities lost, these sentiments are made more powerful by the lack of any musical accompaniment. The rest of the music is choreographed well with the on screen action, and some of the tracks chosen are inspired in their usage. The one thing that hasn't really changed at all is the cast, and while many of the seiyuu definitely earn their pay with this movie, the two stand out performances are from Sugita Tomkazu (Kyon), and Chihara Minori (Yuki), both of whom give a new perspective on their respective characters. Which neatly leads me on to the characters themselves. One of the things that has always been a bit lacking with the Suzumiya Haruhi franchise is that there hasn't really been much focus on specific characters with a view to developing them. Thankfully, this movie begins to address that issue. Unlike the two TV series, both of which adopt a more reactionary approach to the growth of a character, the movie is more direct in terms of Kyon's development, and the difference this makes is rather surprising. While some may find Kyon's monologues to be no different to those in the series, it should be noted that the content of his comments gradually changes overthe course fo the movie, and the culmination of this development bodes well for future releases. In all honesty, I was pleasantly surprised by this movie. The tight storyline, together with the more focused character development, means that the plot is more flowing than in either of the TV series' (although admittedly the time jumps from one episodeto the next play a part in that too). In truth, this movie is everything the second season should have been, and it goes some way to tying up certain loose ends from both series. One thing that many people don't seem to see though, is the very clear influence of a certain long running British sci-fi series about a time traveller who sometimes calls himself "John Smith" and there were occasions in this movie where I kept expecting to see a TARDIS. As with any popular title though, there will undoubtedly be those who will be inclined to hate this movie because it's part of the Suzumiya Haruhi series. The majority of viewers however, may find that they enjoy the movie in a way that isn't possible with a 13 episode series. Hopefully, movies like this will be the way forward for the franchise, as the last thing anyone needs is more Endless Eight.

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